Ledna 2010.De Serge Gainsbourg, mam richtegen Numm Lucien Ginsburg, gebuer den 2. Abrll 1928 zu Paris a gestuerwen och do den 2. Merz 1991, war e fransische Museker, Komponist, Snger, Auteur, Schauspiller a Filmregisseur. Gebuertsnumm.Serge Gainsbourg (Lucien Ginsburg) was born on 2 April, 1928 in Paris, France, is a Soundtrack, Composer, Actor.
Nog niet geregistreerd Door gratis een Catawiki-account aan te maken, kun je bieden op onze 65.000 bijzondere objecten die iedere week geveild worden. Maak.We recommend you to check the complete list of Famous People born on 2 April.He is a member of famous Soundtrack with the age 63 years old group. Serge Gainsbourg Height, Weight & MeasurementsAt 63 years old, Serge Gainsbourg height is 5' 10½" (1.79 m). Serge Gainsbourg: Heroick&253 ivot je francouzsk&253 ivotopisn&253 film pojedn&225 vaj&237 c&237 o Serge Gainsbourgovi, kter&233 ho zde hraje &201 ric Elmosnino.Vedle nj se ve filmu objevuj&237 Lucy Gordon (Jane Birkinov&225 ), Laetitia Casta (Brigitte Bardotov&225 ), Anna Mouglalis (Juliette Gr&233 co) nebo Sara Forestier (France Gall).
In 1958 Serge Gainsbourg hit paydirt with the first song from his first album. So, how much is Serge Gainsbourg worth at the age of 63 years old? Serge Gainsbourg’s income source is mostly from being a successful Soundtrack. We have estimated Serge Gainsbourg's net worth, money, salary, income, and assets. Learn How rich is He in this year and how He spends money? Also learn how He earned most of Serge Gainsbourg networth? Popular AsSerge Gainsbourg (born Lucien Ginsburg French pronunciation: s sbu 2 April 1928 2 March 1991) was a French singer, songwriter, pianist, film composer, poet, painter, screenwriter, writer, actor and director.
Be sure of this: it'll leave a better lasting impression than You're Beautiful by James Blunt as they lower your casket into the ground. Not knowing who the poet is shouldn't spoil your enjoyment of the song, however it is a beautiful, elegiac waltz with pretty Spanish guitars duelling with Gainsbourg's dulcet croon it has a hymnal, funereal feel and is unsurprisingly chosen for plenty of wakes across la Manche. To his credit, Gainsbourg approached Prévert to ask permission to steal his words, and the two were said to have shared a rollickingly good-natured bottle of breakfast champagne together. Fast-paced, catchy and witty, Le poinçonneur des Lilas was a strong debut, though following the relatively auspicious welcome from critics and the public, he'd soon be cast into the dark again and forced to eke out a living and career that would stutter and stop/start for another decade.The titular Prévert was an absurdist French poet whose poem Les feuilles mortes Gainsbourg borrowed liberally from in the making of the tune (as he also did with Paul Verlaine's Chanson d'automne).
As a feat it was doubly impressive considering how bad her performance on the night was. And then he did his writing credentials no harm at all by winning the Eurovision Song Contest for Luxembourg with France Gall in 1965 with the song Poupée de cire, poupée de son. Poupée de cire, poupée de sonBy the mid 60s, Gainsbourg was a one man French Tin Pan Alley for the yéyé generation. Punning is an incurable illness, and Gainsbourg's became more frequent and more deranged as his career progressed, sagging under the weight of his alcoholism. He wrote Comment te dire adieu for Françoise Hardy and latterly a whole album for Vanessa Paradis and a Bowie tribute with a feeble franglais pun ( Beau oui comme Bowie) for Isabelle Adjani.
It was exposure he'd never been afforded before. Bonnie and ClydeLady Luck smiled upon Gainsbourg in late 1967 when he was not only asked to write songs for Brigitte Bardot's Christmas special Le Bardot Show, but also to be her foil, performing a number of songs to a guaranteed audience of millions. "Annie loves lollipops …" Gall sang innocently, "when the candy stick with anise flavour goes down Annie's throat, she is in heaven." Despite being French, Gall clearly didn't know what a double entendre was she was said to be devastated on finding she'd been duped by Gainsbourg, a man twice her age who probably should have known better. Following up Gall's success, he provided another hit with Les Sucettes.
Je t'aime … moi non plusGainsbourg's most famous song by far nearly didn't see the light of day. The other song was Je t'aime (moi non plus).Reading on mobile? Click here to hear this playlist on Spotify 6. Bonnie and Clyde, inspired by the 1967 Warren Beatty and Faye Dunaway movie, is one of his best loved and most covered songs and exists within an innovative (at the time) tape loop with a bizarre yodelled exclamation that repeats throughout. Rising to the challenge, he wrote two. Legend has it Bardot asked Gainsbourg to write her the most beautiful love song he could imagine.
More shamefully he made what would now be called a world music album, 1964's Percussions, and lifted three songs from Babatunde Olatunji's 1959 Drums of Passion, adding his own French words but forgetting to credit Olatunji. Gainsbourg was overtly larcenous where the classics were concerned, co-opting hook, line and sinker from Chopin for Jane Birkin's glorious Jane B. The main hook is stolen from Dvořák's New World Symphony. Initials BB was conceptually lamentable, though the title track is a banger. Nursing a broken heart after amorous assignations with Bardot came to an abrupt end, Gainsbourg did what any other shameless, prolific songwriter would do – he wrote an album all about it.
If the vu de l'extérieur was a clownish facade then some of his true fears were emerging in his material, most significantly in Je suis venu te dire que je m'en vais (I came to tell you that I'm going). Forever the attention seeker, he called a press conference around his hospital bed in order to announce that he intended to smoke and drink more. Je suis venu te dire que je m'en vaisIn 1973, Gainsbourg had his first heart attack. It inhabits a seedy hinterland and may have been inspired by an unnamed bordello visited by Gainsbourg and Vannier, according to biographer Darren Anderson in his recent 33⅓ book about the album. Recorded with orchestral arranger and genius Jean Claude Vannier, every moment of every one of the seven songs on the 29-minute 1971 album is sumptuous, though if we have to pick one we'll take L'hôtel particulier, which has the dirtiest groove of all.
Death threats ensued, then paratroopers crashed a gig in Strasbourg with the intention of silencing the singer, and with the threat of violence palpable, Serge sent his band home. The far right took issue in the press and called for Gainsbourg's citizenship to be revoked. The album Aux Armes et caetera was as welcome as it was unexpected, a collaboration with Sly Dunbar and Robbie Shakespeare that sent reggae into the mainstream in France and sold a millions copies, though not everyone was happy with a Jew reinterpreting the words of La Marseillaise aided and abetted by two black Jamaicans for the title track. Aux Armes et caeteraIf, come the end of the 70s, people thought Gainsbourg was a spent force they could think again.
Characteristically, the scallywag had pulled victory from the jaws of defeat once again. The patriots assembled could only join in and salute what was ironically intended as a chanson of rebellion in the first place.
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